Arts & Culture

Artist Profile: Jason Maloney

By OCinSite At-Large | June 28, 2011 10:19 AM


Artist Profile: Jason Maloney

Jason Maloney | Photo by Derek Bahn

Newport Beach Magazine | June 2011

Newport Beach-based artist Jason Maloney is one of OC’s most interesting and innovative creative forces. He’s Hurley’s Director of Art, where he works with artists who help drive the action sports brand, as well as kids interested in art. “I just recently finished painting a mural with some high school kids and the most amazing thing happened,” Jason says of a Hurley supported project with Laguna Beach High School students. “I fell in love with painting all over again.”

Jason’s early inspiration came from his fascination with ’80s skateboard graphics, “Friday the 13th-type of horror movies, and heavy metal groups like iron Maiden. He eventually landed a job with Disney as a scenic artist on projects like the renovation of it’s A small World’s and transforming the Haunted Mansion into Tim Burton’s “A Nightmare Before Christmas.”

But the artist’s most memorable work may be a drawing of a seemingly inebriated elephant named Tippsy, which is now seen on everything from T-shirts to squeaky plush toys—not to mention stickers that have become ubiquitous throughout SoCal. Who knows, it could become California’s next iconic animated figure, like Paul Frank’s Julius the Monkey ... or Mickey Mouse!

jasonmaloneyart.com


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    20Q with Lena Dunham
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I feel I am ready, and fortunately I’m not drawn to behaving badly, which is good because I don’t have the option to disappear like some other 26-year-olds. If I did, you might find me eating a lot of cheesy carbohydrates, watching many episodes of a really shitty television show and sleeping in the afternoon. Of the seven deadly sins, I’m most guilty of gluttony and sloth.Q10Playboy: What’s your grocery checkout aisle routine?Dunham: I cannot get out of the market without six trashy magazines and seven packs of gum. I wish I could resist those things. Oh, and sometimes a Cadbury Creme Egg, if it’s in season.                                            12Next

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And hilarious, too—because this is a satire on sex.At least that’s what Thalberg said when the Hays Office objected to the film.“She’s a harlot,” said the Hays Office. “A common little tart using her body to gain her ends.”Harlow played a shameless stenographer who, in the words of Time magazine, “Cooed and screwed her way to the top—and got away with it.”Film critic Leonard Maltin calls this “the sexiest performance in screen history.”There’s even a flash of bare breast in one dressing scene with Una Merkel, but you’ll probably miss it, because it’s only there for a moment.When news that Harlow had been chosen to star in the picture reached Louis B. Mayer, he warned Thalberg that any consequences that might come from this unsavory project would be on his head.Thalberg gave the role of supervising producer on the picture to close friend Paul Bern, Harlow’s mentor.When Bern asked Irene Mayer Selznick what she’d think if he married Harlow, “I didn’t have to think,” Louis B. Mayer’s daughter remembered. “I just answered,  ‘You’d blow your brains out!’”And he did.Harold Rosson was the cinematographer on the picture.After Paul Bern’s death, Harlow fell into an affair—and married—Rosson, but it didn’t last.The final, great love of Harlow’s life—before her untimely demise in 1937—was William Powell, who reminded her of her mentor, Paul Bern.Marcel de Sano was originally chosen to direct tonight’s picture. And MGM story editor Sam Marx nominated no less than F. Scott Fitzgerald to write the screenplay.Thalberg approved Fitzgerald’s $1,200 a week salary—most of which went toward medical expenses for his mentally ill wife, Zelda.Working at MGM, the studio brass soon learned that Fitzgerald had a drinking problem.“He gets drunk (just) sniffing the cork on a bottle of wine,” director de Sano observed at the time.Fitzgerald finished a screenplay, but Thalberg and Bern concluded that the author of “The Great Gatsby” had no real empathy for the character.It was de Sano who told Fitzgerald that his script had been rejected and that Anita Loos, the author of “Gentlemen Prefer Blondes,” would be writing a new, more satirical version.According to Sam Marx, Scott Fitzgerald was devastated by the news, and “didn’t draw a non-alcoholic breath for a month.”Thalberg then fired director de Sano for telling Fitzgerald that his work has been rejected.This incident, together with a memorable party at Thalberg’s home, inspired a short story Fitzgerald wrote called “CRAZY SUNDAY,” which led, in turn, to his famous unfinished novel, “THE LAST TYCOON,” eventually made into a 1976 film in which Robert DeNiro played the Thalberg character.Director de Sano soon committed suicide.A new director, Jack Conway, was assigned to the project.He was an efficient craftsman at MGM, making “VIVA VILLA” with Wallace Beery in 1934, “A TALE OF TWO CITIES” with Ronald Colman in 1935, and four films with Harlow, including her last, “SARATOGA,” with Clark Gable in 1937.Costarring in “RED HEADED WOMAN” is Chester Morris, a child actor who played tough guy roles in the ‘30s, and Boston Blackie in films in the 1940s.Lewis Stone, best remembered as Judge Hardy in the Andy Hardy films with Mickey Rooney, has a supporting role.And Charles Boyer has a cameo role at the end of the film. Unknown in America, Boyer would become the definitive French lover later in the decade, starring opposite Garbo, Dietrich and Hedy Lamarr.As Thalberg explained to Anita Loos: “We’ve got a French actor here on a six month option, but I’m letting him go because nobody can understand the guy’s English. His option is up in two weeks, which would be just long enough for him to do the part of that chauffeur.“So take a look at his test and tell me if you think it’s worth a rewrite to make the chauffeur a Frenchman.”Production on “RED HEADED WOMAN” began on April 28 and wrapped on May 27, 1932.When the picture was previewed in Glendale, the audience didn’t know what to make of <a >coach backpacks outlet</a> the Harlow character.So Thalberg added the montage of humorous moments at the start of the film to establish that this was intended as farce.It didn’t matter to the would-be censors. This film, and others like it, led to the repressive Production Code in 1934.And the Catholic church began discussions that led to the establishment of their own Legion of Decency.Parts of tonight’s film were cut by local censors throughout the country and the picture was banned in England.But the public loved the <a >factory Coach Outlet</a> film—and Harlow in it!With the success of “RED HEADED WOMAN,” Harlow was rushed into “RED DUST” with MGM’s other new, rising star, Clark Gable.On July 2, 1932, one month after “RED HEADED WOMAN” was released, Jean Harlow married her middle-aged mentor, Paul Bern.On September 5, Harlow’s husband died, an apparent suicide, while “RED DUST” was still in production—just as Irene Meyer Selznick had predicted.Within five years, Harlow, herself, would be gone.And now—from 1932—Jean Harlow in the pre-Code classic—“RED HEADED WOMAN”

  10. FemOreledew 03:48am, 05/20/2013

    Femme on Fire: Katie Aselton
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You must be relieved.Aselton: I don’t know, <laughs> the replacement refs were kind of fun to watch.Playboy.com: The League returns tomorrow; what can you tell our audience who might not have caught it in the past?Aselton: It’s about a group of friends who don’t like each other very much, and fantasy football is their thing. But you don’t need to know about fantasy football to love the show. I think what’s so awesome is that you’re watching the inter-dynamics of a group of friends who have known each other forever. It’s the one show on television where friends talk to each other the way that friends actually talk to each other…or at least my friends. <laughs>Playboy.com: Tell us about your character, Jenny.Aselton: Jenny is a total guy’s girl. She is more comfortable hanging with the boys than with the ladies — she can definitely hold her own. She’s pretty badass, she’s sassy, she’s strong — I dig her a lot. I’d totally be friends with Jenny.Playboy.com: How similar are you to Jenny?Aselton: Pretty similar…but not as good at fantasy football. <laughs> I enjoy calling people on their shit. But on the fantasy side, I’m not that well-endowed, so to speak.Playboy.com: Do the actors play in a league off set?Aselton: We do! As well as with the creators of the show. Even though I just said that I’m not that great at fantasy football, I won the first year. But the one thing that I learned about fantasy football is that you don’t have to be good at it to win. Or to know what the hell you’re doing. I’m super competitive, and that’s another thing I have in common with Jenny.Playboy.com: Your husband is your costar on the show; are you completely comfortable screwing him over in <a >coach factory</a> fantasy?Aselton: Absolutely. It’s a great joy.Playboy.com: Is this money-based?Aselton: We talked about doing it money-based, but I was like, “Guys, let’s not do that. A thousand dollars a head is crazy.” And then I won. “Remember when we said we were going to do it for money?” But yeah, the prize would be all mine; it’s an individual sport.Playboy.com: You have a foul-mouthed kid named Ellie on The League. If your real-life kids started mouthing off like that, how would you react?Aselton: I would help them hone it more than Ellie. I think profanity is great as long as it is smart profanity. But it has to be the right place and the right time; they can’t tell their teacher to fuck off.Playboy.com: Being the sole female lead in a male-dominated cast, what’s your biggest complaint about them and what is theirs about you?Aselton: My biggest complaint about them is that that they’re sometimes super hard on me. They <don>#8217;t] pull their punches with me, which I super appreciate because it has made me stronger, but these guys are so smart and acerbic that <a >cheap coach backpacks</a> if I’m having a vulnerable day, I’m like “God dammit, guys, take it easy.” Their biggest complaint about me is that I’m just so funny.Playboy.com: The show is very off-the-cuff, especially Jenny. How much improvisation are we seeing?Aselton: I would say 97 percent of the show is improvised; what we’re given is outlines of the scenes. Within the outlines is a lot of information that we have to get out there, so there is definitely lines that are in <a >http://cheapcoachfactorybackpacks2i.webs.com/</a> there. We have all the freedom in the world. You don’t see that anywhere (on television) except for Curb <Your>Enthusiasm] which is where <creator> Jeff <Schaffer> comes from.Playboy.com: You have a thriller, Black <a >coach factory outlet</a> Rock, that premiered at Sundance. What can you tell us about it?Aselton: It’s a super fun girl-driven thriller — sort of in the vein of Deliverance, but with girls. I don’t <usually> like thrillers; they give me serious anxiety. But I loved the idea of a girl telling the story — and fast-paced and scary. It was <a >coach factory</a> challenging as an actress/director.Playboy.com: <a >cheap coach factory backpacks</a> How different was directing this from your debut, The Freebie?Aselton: It was as different as you can get. Freebie was a fun experiment; Black Rock was very different — the scale was much larger, we had a bigger crew, actors whose names you actually recognized. We were shooting in really crazy environments: we were on the coast of Maine, so it was super cold in June. We were in the water and it was hypothermic. It was 95 percent exterior shots — it was trying for sure. We are releasing in March 2013!Playboy.com: What horror films make you cringe?Aselton: They totally make me anxious, they don’t even have to be scary — The Others totally terrified me. Blair Witch was one that killed me, and I saw an advance screening of it after one of the first viral campaigns. I was sitting in the middle seat of the middle row, and I was in tears thinking that these poor people have parents who are seeing this. I felt like such an asshole afterwards. I’m still mad at that movie. I’m pretty sure Fortress gave me claustrophobia. And The Descent scared the shit out of me; why would there be white people, little albino people — why?! It’s totally creepy.Playboy.com: How did you tell your husband you were speaking with us?Aselton: I got real obnoxious and told everyone I was posing in Playboy…and it got to my grandfather, who got really uncomfortable. My husband told me to go put my grandfather’s mind at ease.Playboy.com: Lightning Round:Drink: Dirty vodka martini with a splash of Tabasco.Food: Filet — rare.Shot: Ooh, tequila.Secret Talent: I can flare my nostrils; I can wiggle my ears.Dream Car: I kind of dig my Land Rover.Radio Hit: …“Call Me Maybe”! I have a four-year-old, we dance to it.Embarrassing Moment: Previous answer.Guilty Pleasure: There’s a lot…probably massages.First Playboy: My first Playboy I found in my boyfriend’s apartment. I was like, “What?” I think I blocked it out <the>cover model].The League airs Thursdays at 10:30/10c on FX. Follow Katie on Twitter @Duplaselton

  11. braftMortoora 04:36am, 05/23/2013

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